Posters for Woven Network Govan

Future art installations, walks and other events associated with the Woven Network Govan artists can be accessed here or via Fablevision’s Instagram and Facebook accounts.  Fablevision Studios is providing Fablevision with video, design, photography and social media services in support of Woven Network Govan, including this video short of Audrey O’Brien’s nature walk.

TS Beall’s installations in Elder Park, Govan and the Mary Barbour monument at Govan station, focus attention on the role women have played during the Covid19 pandemic. In this particular instance the work uses two existing public monuments to prominent Govan women of the past to project the activities of women who bear the burden of care in the present.

Watch this space for future events involving the Woven Network Govan artists: Audrey O’Brien, Deirdre Nelson, Alex Wilde, Ailie Rutherford, Donna Rutherford, TS Beall and Ursula Kam-Ling Cheng.

Nature and Nurture in Govan

Audrey O’Brien’s work for the Woven in Govan project, outlines the importance and significance of interdependence. “I’m an artist, working across photography, collage, sculpture and live events. For example, bringing people on curated walks, like the one featured here. I am very curious about how we use our senses. My projects raise awareness of our own senses.

For Woven in Govan, and it’s micro-commission, seven artists were to highlight or respond to women’s experiences during the pandemic. Covid-19 has taught us that the health of all life on the planet is connected – humans, animal, plants, entire ecosystems all mutually dependent. This all happens here in Moogety garden; growing, cooking, eating together In an Open garden.”

(Music Credit:Music By @PeyruisSong: Dreamer – Cinematic Mood Acoustic GuitaMusic promoted by No Copyright Music Vlog. Video Link: https://youtu.be/CC7KN9hMteo)

EU and No-EU: From the Centre to the Margin

Fablevision and its director, Elizabeth Gardiner, feature in Creative Europe’s review of European projects, “Stories From Creative Europe In The UK – 2014-2020”.

One of the great things about the greatest European project – the European Union – was its role in fostering a feeling of co-operation, friendship and interrelatedness among its constituent parts – 28 sovereign nation states sharing a commitment to the same future and direction. Amity had replaced enmity.

It was in this regard and spirit that Fablevision joined Intercult (Gothenburg and Stockholm, Sweden), Municipality of Levadia (Levadia, Greece), Nabaltyckie Centrum Kultury (Gdansk, Poland), Ormston House (Limerick, Ireland) and Stad Oostende (Oostende, Belgium) in the Memory of Water EU project, which explored the nature of heritage, urban regeneration and renewal in post-industrial riverine and seaboard communities. At its heart was the use of artistic interventions/residences to help explore, encourage and engage with communities which have often been ignored or sidelined. It asked the question: who decides the future of such places? The question needs asking as more often than not regeneration of post-industrial places and spaces involves the imposition of “solutions” without reference to the heritage of these places or engagement with the communities who live there.

Then came 23rd June, 2016 and Brexit. It remains to be seen what the level of engagement between the UK and EU-based cultural organisations will be post-Brexit. However, one thing is certain, there is now no common narrative or direction of travel. Aside from the obvious dislocation and disengagement, the UK and its organisations will no longer have access to the same level of cultural funding or the same access to the skills, knowledge and experience of our erstwhile European partners. It is already the case that interns and cultural professionals are not finding Britain as welcoming and easy to access as it once was.

Fablevision continues to work with European partners – notably Intercult (Sweden) and Mariupol Platform TU (Ukraine) – as part of the Woven Network project, and Bridging Digital, with organisations from Sweden, Greece and Poland, on how the community cultural sector in Europe is adapting post-pandemic.

What is now less clear is what the future holds for Scottish cultural organisations now that the UK is outwith the largest market and culturally dynamic bloc in the world.

Caring and Crisis

Fablevision and partner social enterprise, Fablevision Studios, were out and about in Govan at the Wh·eat Cafe and the Moogety Garden at Elder Park, Govan, to shoot interviews with two of the artists involved in the Woven Network Govan – a part of the Woven//Women’s Stories project.

Ursula Kam-Ling Cheng, who has an installation at the Wheat Cafe, Linthouse, and Audrey O’Brien, who work includes tutored nature walks in the Moogety Garden and Elder Park, were on hand to discuss their work.

The Woven Network Govan forms part of a large artistic endeavour involving Ukraine, the Nordic countries (Denmark, Norway and Sweden) and Scotland (Govan, Glasgow), which is focussing on gathering and interpreting stories from the unheard – mainly female workers – who have juggled low-paid and frontline roles in places such as hospitals/care homes with caring for families during the Covid19 pandemic. The artworks that have arisen from this take as their themes care and community in a time of crisis.

Woven in Govan: Ursula Kam-Ling Cheng

The latest artist to take part in this element of the Woven Network is Ursula Kam-Ling Cheng, a North Irish illustrator and visual artists based in Glasgow.

Woven in Govan is part of the European collaboration Woven Network with Intercult (Sweden) & PlatformTU (Ukraine). It concept and execution each part of the project is designed to focus on the often unsung role women have played during the continuing Covid19 pandemic and the various lockdowns.

Each artist’s work focuses on the different ways in which women have adapted and coped under the circumstances and how they have contributed markedly to the greater good.

Ursula’s work is created from life experiences combining surreal realities into a hyper colourful blend of contrasting and loaded line drawings. Often a mix of mediums are employed and explored on found surfaces and applications. Her work enjoys autonomy over the spirit of a place and seeks to bring charm and joy to viewers.

Her large-scale mural work has been commissioned by the V&A, Abertay University, Edinburgh University, Fringe Festival Society and Urban Outfitters to name a few.Within participatory creative facilitation her work aims to involve everyone, generate empowerment, build optimism and pride in communities. Her work combines a mix of mediums to create a unique hybrid of styles most distinctly her own and inspired by those interacting with it.

Woven in Govan: Donna Rutherford

Donna Rutherford is an artist who has specialised in theatre and video working since 1990. She mixes the roles of writer, performer, filmmaker and director.

Starting from a Live Art background she has developed solo and collaborative projects in the UK and abroad with a wide range of artists, musicians and community participants. The work stems from personal storytelling while combining psychology, social history and the distortion of memory – oh, and humour!

The work manages to make difficult subjects such as displacement, family relations, ageing, and miscommunication in relationships accessible to wide audiences while developing innovative forms of storytelling. Touring extensively across UK & Eire and performing in Belgium, Denmark, USA & Canada, she has consistently been awarded funding from English & CS/ Scottish Arts Councils (including International Initiatives,Live Art Commissions, NRLA Residencies, Partners Fund, Made in Scotland), alongside funding from BBC2 Commissions, Barclays New Stages Award, international festivals & residencies, Opera North, Arts & Humanities Research Council.

AHRC awarded Donna a Creative Fellowship 2003 – 2007 (between RSAMD, GSA& New Territories) which led to her working closely with Stirling University’s Memory Lab. (A previous collaboration involved another of Stirling University’s Psychology Departments – the Face Perception Lab in 2001). Alongside teaching and facilitating work for others she has co-ordinated symposium events bringing together experts in diverse subjects and produced a DVD of artists interviews entitled ‘Rearranging Realities’ which is still used as a teaching aid across UK, Eire, USA & Australia. Alongside commissioned art & theatre work she has always engaged with community-based projects, often working with vulnerable groups.

Organisations include Loretto Housing, Falkirk Criminal Justice Service Women’s Group, NHS Greater Glasgow, North Lanarkshire Council Social Work Dept – Older Persons Team, West Dunbartonshire Violence Against Women, Macmillan Centre via Artlink.

Woven in Govan: Deirdre Nelson

The latest artist to join the Woven Network project for the Woven in Govan is Deirdre Nelson, an Irish artist/designer based in Glasgow, who uses the medium of textiles to explore humour, place and social history. In her first action as part of the project, Nelson asks us to consider what we understand by the word ‘care’.

She partners traditional techniques with contemporary processes such as digital print in creating work not only to be exhibited but on artist residencies, within education and community projects. Resulting works cross over art, design and craft. Deirdre enables the communities she works with to explore social and environmental issues through making. She also works to commission for arts and healthcare organisations. Collaborating with creatives such as architects, musicians and writers allows her to create and produce diverse projects.

Deirdre studied textiles at Glasgow School of Art 1992 and a M.Philosophy in 1996. She has exhibited internationally and nationally and undertaken residencies both in the UK and Australia, including: including: The Kildas, Glasgow School of Art+touring 2016; Designed with Heart, St Etienne Design Bienalle 2019; Between the Kine, Harbourfront Arts Centre, Toronto, Canada, 2013; White, La Porte Peinte Centre Pour Les Artes, Noyers sur Serein, Burgundy, France.

Commissions include: Orchard View continuing care facility 2016; Edinburgh Royal infirmary 2009; Residencies include: Walthamstow Wetlands 2017/8; Textilsetur Islands, Iceland 2018; Caterans CommonAlyth, Scotland 2017; Platform Arts, Easterhouse, Glasgow 2016.

Memory of Water EU Reviewed

Memory of Water EU was a six-city (Gdansk, Gothenburg-Stockholm, Govan, Levadia, Limerick, Ostend) Creative Europe-funded project which set out to answer the question: What’s next for post-industrial waterfront heritage zones in Europe?

Our lead partner was Intercult, Sweden, and we had a range of NGOs, social enterprises and public sector organisations in the partnership mix. Fablevision was the Scottish partner with t s Beall, the social engaged lead artist responsible for delivering residency programmes in Levadia, Gdansk and Govan. From Ostend, Belgium, the city council arts department nominated street artist, Siegfried Vynck. Levadia, Greece, another local authority partner, nominated performance artist Ira Brami, whilst our partner in Limerick, Ireland, was a visual arts organisation, Ormston House, with visual artist, Mary Conroy. Gdansk, represented by Nadbałtyckie Centrum Kultury, introduced visual artist, Iwona Zając, whilst Intercult contributed film director, Jonas Mystrand.

Being involved has been a massive capacity building process for Fablevision in many ways: our profile and social media presence has been boosted exponentially; our project collaboration in Govan with activists, artists, architects, politicians and planners has first of all stopped the building of 750 high rise flats on Govan’s iconic, A-listed Graving Docks, then supported the developer to change plans and prioritise heritage, industry, tourism and recreation. Finally, by December 2020, we learned that Glasgow City Council has removed the Victorian dry docks site from the housing register so it is no longer zoned for housing. There is no doubt that without international benchmarking (in particular with the historic shipyard in Gdansk, Poland, whose iconic cranes were given protected status, and which, as of December 2020, is well on the way to having the whole shipyard area designated with UNESCO World Heritage site status) partnership with artists and academics, urban lab discussions, and the high profile residencies themselves, none of this would have happened.

An unexpected aspect of the learning and development for Fablevision was the arrival of Covid-19 which could have scuppered the whole project but in fact allowed us to invent whole new methods for delivering participatory artist residencies remotely that involved local people, community organisations and Govan-based artists in the delivery! Substantive research and relationship building gained during the first residency in 2019 coupled with the close, trusting relationships of partners and the expertise, professionalism and dedication of the artists involved, transformed disaster into opportunity and delivered output of exceptional quality.

The benefits are almost too numerous to list but leverage of match funding; the ability to remain within the European project at a time when Brexit is dragging us out; legacy developments like new East European project partners from Georgia and Ukraine and new projects like Woven Network are a few highlights. 

We are very sad that we have been unable to be a lead partner on Memory of Water EU and are now reduced to third country status going forward but we hope this will be temporary and we are determined to continue working with current partners as well as forging new ones.

As the two year journey now draws to a close, you can catch up on some of the amazing dialogues and digital exhibitions of the artists’ work via the following links:

Memory of Water EU – Webinars, Podcasts, Labs, Posts

Memory of Water EU – Artists’ Biographies

Memory of Water EU – YouTube Channel

Memory of Water EU – Facebook

An Opera to the Unsung

Join the curators – Fablevision’s Liz Gardiner (Scotland), Mariupol Platform TU’s, Diana Berg (Ukraine) and Intercult’s Iwona Preis (Sweden) – in an “armchair chat” to discuss the Woven Network.

As this historic year of global pandemic draws to a close, the three partners, who have provided enabling services (leaving our female artists free to explore their creative practices), will kick off their shoes and put their feet up to reflect on what has been achieved. Under discussion will be how the Woven Network had provided the world with historic documentation by way of women’s feelings, reactions and reflections on what this year had done to us as individuals and how it has impacted on our NGOs, cities and countries. The project aims to make the invisible visible by focusing on the role art has played in heralding the work of female workers in this crisis. It is an opera for the unsung.

The Ukraine had led on this particular cultural project but the involvement of Scotland the Nordic countries in it bodes well for future collaboration.

The Woven Network is supported by the European Union via the House of Europe programme. At the Scottish end of this project, Fablevision is being funded by Creative Scotland.

Don’t forget to tune into the live chat next Friday, 11th December, 2020 at 12:00 GMT on Facebook.