Future art installations, walks and other events associated with the Woven Network Govan artists can be accessed here or via Fablevision’s Instagram and Facebook accounts. Fablevision Studios is providing Fablevision with video, design, photography and social media services in support of Woven Network Govan, including this video short of Audrey O’Brien’s nature walk.
TS Beall’s installations in Elder Park, Govan and the Mary Barbour monument at Govan station, focus attention on the role women have played during the Covid19 pandemic. In this particular instance the work uses two existing public monuments to prominent Govan women of the past to project the activities of women who bear the burden of care in the present.
Watch this space for future events involving the Woven Network Govan artists: Audrey O’Brien, Deirdre Nelson, Alex Wilde, Ailie Rutherford, Donna Rutherford, TS Beall and Ursula Kam-Ling Cheng.
Dr t s Beall is the Lead Artist for ‘Woven in Govan’, and was the lead Scottish artist for ‘Woven Network’ (2020), spanning five countries and led by Platform TU (Ukraine). Beall is a socially-engaged artist and researcher based in Dumfries and Glasgow, working with communities on durational projects to recover marginalised histories. Her work spans a variety of media including performative events, printed matter, and creative interventions in the public realm.
She is also one of ten commissioned artists on the Stove Network’s ‘Atlas Pandemica’, working with Travelling Showpeople to recover elements of Dumfries’ fairground histories (2020-21) and considering post-Covid positioning of creative projects in the public realm. Ongoing projects in Scotland include ‘Fair Scotland’ (with Showpeople, co-devised with Dr Mitch Miller), and ‘Protests and Suffragettes’ (recovering and highlighting women’s activism in Govan), both 2013-present. Beall was the lead Scottish artist for ‘Memory of Water’ (2018-2021), a project examining post-industrial waterfronts in six European cities, funded by Creative Europe. Her PhD with University of Glasgow (2017), collaborated with the Riverside Museum/Glasgow Museums, where her practice-led research developed engagement strategies for heritage institutions through co-curated events and participatory performance.
The latest artist to take part in this element of the Woven Network is Ursula Kam-Ling Cheng, a North Irish illustrator and visual artists based in Glasgow.
Woven in Govan is part of the European collaboration Woven Network with Intercult (Sweden) & PlatformTU (Ukraine). It concept and execution each part of the project is designed to focus on the often unsung role women have played during the continuing Covid19 pandemic and the various lockdowns.
Each artist’s work focuses on the different ways in which women have adapted and coped under the circumstances and how they have contributed markedly to the greater good.
Ursula’s work is created from life experiences combining surreal realities into a hyper colourful blend of contrasting and loaded line drawings. Often a mix of mediums are employed and explored on found surfaces and applications. Her work enjoys autonomy over the spirit of a place and seeks to bring charm and joy to viewers.
Her large-scale mural work has been commissioned by the V&A, Abertay University, Edinburgh University, Fringe Festival Society and Urban Outfitters to name a few.Within participatory creative facilitation her work aims to involve everyone, generate empowerment, build optimism and pride in communities. Her work combines a mix of mediums to create a unique hybrid of styles most distinctly her own and inspired by those interacting with it.
Donna Rutherford is an artist who has specialised in theatre and video working since 1990. She mixes the roles of writer, performer, filmmaker and director.
Starting from a Live Art background she has developed solo and collaborative projects in the UK and abroad with a wide range of artists, musicians and community participants. The work stems from personal storytelling while combining psychology, social history and the distortion of memory – oh, and humour!
The work manages to make difficult subjects such as displacement, family relations, ageing, and miscommunication in relationships accessible to wide audiences while developing innovative forms of storytelling. Touring extensively across UK & Eire and performing in Belgium, Denmark, USA & Canada, she has consistently been awarded funding from English & CS/ Scottish Arts Councils (including International Initiatives,Live Art Commissions, NRLA Residencies, Partners Fund, Made in Scotland), alongside funding from BBC2 Commissions, Barclays New Stages Award, international festivals & residencies, Opera North, Arts & Humanities Research Council.
AHRC awarded Donna a Creative Fellowship 2003 – 2007 (between RSAMD, GSA& New Territories) which led to her working closely with Stirling University’s Memory Lab. (A previous collaboration involved another of Stirling University’s Psychology Departments – the Face Perception Lab in 2001). Alongside teaching and facilitating work for others she has co-ordinated symposium events bringing together experts in diverse subjects and produced a DVD of artists interviews entitled ‘Rearranging Realities’ which is still used as a teaching aid across UK, Eire, USA & Australia. Alongside commissioned art & theatre work she has always engaged with community-based projects, often working with vulnerable groups.
Organisations include Loretto Housing, Falkirk Criminal Justice Service Women’s Group, NHS Greater Glasgow, North Lanarkshire Council Social Work Dept – Older Persons Team, West Dunbartonshire Violence Against Women, Macmillan Centre via Artlink.
The latest artist to join the Woven Network project for the Woven in Govan is Deirdre Nelson, an Irish artist/designer based in Glasgow, who uses the medium of textiles to explore humour, place and social history. In her first action as part of the project, Nelson asks us to consider what we understand by the word ‘care’.
She partners traditional techniques with contemporary processes such as digital print in creating work not only to be exhibited but on artist residencies, within education and community projects. Resulting works cross over art, design and craft. Deirdre enables the communities she works with to explore social and environmental issues through making. She also works to commission for arts and healthcare organisations. Collaborating with creatives such as architects, musicians and writers allows her to create and produce diverse projects.
Deirdre studied textiles at Glasgow School of Art 1992 and a M.Philosophy in 1996. She has exhibited internationally and nationally and undertaken residencies both in the UK and Australia, including: including: The Kildas, Glasgow School of Art+touring 2016; Designed with Heart, St Etienne Design Bienalle 2019; Between the Kine, Harbourfront Arts Centre, Toronto, Canada, 2013; White, La Porte Peinte Centre Pour Les Artes, Noyers sur Serein, Burgundy, France.
Fablevision wants to hear from artists for community/socially engaged work on micro-commissions based in Govan. The project, which is funded by Creative Scotland and Nordic Cultural Fund, will involve three artists working on a Fablevision micro-commissions based in Govan. These commissions will form part of Fablevision’s contribution to the Woven Network / Women’s Stories – an artist-lead account of the role played by women during the Covid19 crisis.
As this historic year of global pandemic draws to a close, the three partners, who have provided enabling services (leaving our female artists free to explore their creative practices), will kick off their shoes and put their feet up to reflect on what has been achieved. Under discussion will be how the Woven Network had provided the world with historic documentation by way of women’s feelings, reactions and reflections on what this year had done to us as individuals and how it has impacted on our NGOs, cities and countries. The project aims to make the invisible visible by focusing on the role art has played in heralding the work of female workers in this crisis. It is an opera for the unsung.
The Ukraine had led on this particular cultural project but the involvement of Scotland the Nordic countries in it bodes well for future collaboration.
The Woven Network is supported by the European Union via the House of Europe programme. At the Scottish end of this project, Fablevision is being funded by Creative Scotland.