Fablevision wants to hear from artists for community/socially engaged work on micro-commissions based in Govan. The project, which is funded by Creative Scotland and Nordic Cultural Fund, will involve three artists working on a Fablevision micro-commissions based in Govan. These commissions will form part of Fablevision’s contribution to the Woven Network / Women’s Stories – an artist-lead account of the role played by women during the Covid19 crisis.
The film entitled, “Awakening The River”, is a collaboration between Fablevision, who co-ordinated the project, STAGE (Scottish Talent Across Generations Events), and the Greek Memory of Water EU artist, Ira Brami.
Directed and produced by Helen Kyle, the film provides a narrative of poems, music and photographs to evoke something of the essence of the river which has played such an important part in Govan and Glasgow’s history. Contributors include: “The Greatest Iron Ship” by Danny Kyle; “Clota, Goddess of the Clyde” performed by Louise Oliver; “Fear” by Kahlil Gibran (translated and performed by Michael Dempster) and “Braw Sailing on the Sea” by the Iona Fyfe Trio.
The Covid19 crisis has had far-reaching implications for all aspects of life and the arts are no exception. Fablevision’s sister organisation, Fablevision Studios, was in Govan to video and photograph the installation of Belgian artist Siegfried Vynck’s Clyde Puffer mural. Originally, the project – part of Memory of Water EU – envisaged Vynck working with local volunteers on his vision of this particular aspect of Govan’s industrial heritage and culture. The Clyde Puffer – like its equine counterpart the Clydesdale horse – was the workhorse of the River Clyde.
Hamish Rhodes, Ines Cavaco and Fiona Fleming worked with local volunteer, Rory Kyle, on interpreting Vynck’s vision on the gable end of Quickshift Tyre Services on the corner of Clydebrae and Stag Street.
Fablevision and sister social enterprise, Fablevision Studios, were in Govan on 15th October, 2020, to shoot video and photograph at the start of Memory of Water EU’s engagement and collaboration with Govan Stones Trust.
Limerick-based artist, Mary Conroy, operating within the constraints imposed by Covid19, sent over stencils depicting the Govan Stones for use on the Old Govan Walkway, the riverside ambulatory which runs from the site of the Govan ferry along the river behind Old Govan Church. The stencils are designed to mark the cultural heritage of Govan, in particular, the extraordinary legacy of the hogback tombstones which are some of the finest funereal relics in existence.
The photographs feature Bren MacNeil (who produced the photograph of the featured image), a volunteer with Govan Stones, and Ines Cavaco and Hamish Rhodes, who are engaged on the Memory of Water EU project with Fablevision and Fablevision Studios.
Glasgow Press will create letter press prints of her artwork to be gifted to Govan Stones and sold to help to fund the activities, as well as other merchandise. She has gifted six drawings to the Govan Stones Trust so that they can continue to carry on the collaboration.
Fablevision’s sister organisation, social enterprise Fablevision Studios, was recently at Govan’s Graving Docks to photograph and video Iwona Zajac’s installation, “Look!”, which was designed in collaboration with Eugenia Tynna and Fairfield Govan for the Covid19-hit Memory of Water EU project. The strictures on movement imposed by Covid19 has meant that artists, Hamish Rhodes, Beatrice Searle and Ines Cavaco, had to stand in for Iwona Zajac to bring this particular element to fruition.
Fablevision is among seven cultural organisations from seven European cities working together on the Memory of Water project: Batumi, Gdansk, Gothenburg, Govan, Levadia, Limerick and Ostend.
“Look!” encourages us to explore the meaning of place and belonging in cultural heritage. “Born in Govan” and “Made in Shipyards” pays tribute to the largely voiceless people and communities who played such an important role in making the Clyde a byword for excellence in marine engineering. “Clydebuilt” wasn’t just a marketing slogan, it was a leitmotif for quality.